Creatives, industry professionals, and newcomers to VR can create an immersive experience, capturing dynamic scenes for entertainment, tourism, training and education, real estate, storytelling, or anywhere you want to bring your audience to. DUAL FISHEYE LENS SOFTWAREIn addition to the lens, both of Canons EOS VR Software solutions (EOS VR Utility and the EOS VR Plug-in for Adobe Premiere Pro) are currently scheduled to be available in late. The Canon RF5.2mm F2.8 L Dual Fisheye Lens offers a 190-degree field-of-view and feature a spacing between the lenses of precisely 60mm. Viewers will be able to take in the scene with a vivid, wide field of view by simply moving their heads. The Canon RF5.2mm F2.8 L Dual Fisheye lens is scheduled to be available in late December 2021 for an estimated retail price of 1,999.00. The lens will enable users to record video in 8K DCI at 30fps or 4K DCI at 60fps when paired with the EOS R5 mirrorless camera. With firmware 1.5.0 or higher and one of Canon's VR software solutions, you can create immersive 3D that can be experienced when viewed on compatible head mount displays including the Oculus Quest 2 and more. Creators can go from traditional stills or video shooting to stereoscopic 3D capture with a simple lens swap, and the pairing of this lens with the EOS R5 provides for high resolution video recording at up to DCI 8K 30fps and DCI 4K 60 fps. This helps simplify your workflow by eliminating the need to sync and stitch multiple video files. The Dual Fisheye high-performance L-series fisheye lenses combine imagery onto a single image sensor delivering impressive results to a single file. That’s excluding the fact that you also need a $3,899.00 EOS R5 camera to match.Canon RF 5.2mm f/2.8L Dual Fisheye Unlock new dimensions in visual storytelling with the RF 5.2mm f/2.8L Dual Fisheye 3D VR from Canon.Ĭurrently compatible with the EOS R5 Mirrorless Digital Camera, this L-series lens is the world's first digital interchangeable lens that can capture stereoscopic 3D 180° VR imagery to a single image sensor. The dual fisheye VR lens sports a hefty price tag of US$1,999, and is set to go on sale in December this year. That being said, this lens was designed for a special subset of users (with deep pockets) and doesn’t come cheap. Arguably, the sensor would have to be big enough to fit both the channels, and to make sure your videos are high-resolution enough, but what Canon’s unleashed on the camera and VR world is just the beginning. It shouldn’t be long before other companies like Nikon, Sony, and Fujifilm begin introducing lenses that allow you to record two channels of video content using a single sensor. It’s low-key marvelous what the RF5.2mm F2.8 L Dual Fisheye Lens does not just for Canon, but for photography in general. Focusing for both the lenses is controlled by a single ring, although minor tweaks to the focus of individual lenses can be done using hidden adjustment dials on the left and right-hand sides of the lens body. The two lenses offer 190° field of view, and are spaced a precise 60mm apart to resemble the pupillary distance in humans, making the VR content look believable and have just the right amount of parallax too. When paired with the right firmware, the video content automatically gets split, synced, stitched, and turned into 3D VR videos that can directly be exported using Canon’s own software. Just pop it onto the EOS R5 and the lenses use a complex internal optical arrangement to record SBS content on a single full-frame image sensor. The bizarre yet beautiful lens unlocks an absolutely new dimension to photography. Pair the lens with the EOS R5 mirrorless camera and suddenly you can perform high-resolution video recording at up to 8K DCI 30p and 4K DCI 60p. The lens, when paired with the company’s 1.5.0 firmware update, enables the humble yet capable 2D camera to shoot SBS 3D content. DSLRs and Mirrorless cameras are already some of the most powerful shooters out there, and rather than ditching that entire ecosystem of cameras to move to newer camera types – like drones and AR/VR cameras, Canon has just embraced good old-fashioned innovation instead, with a newfangled lens that is compatible with their existing EOS range of cameras. It almost looks anthropomorphic, with the way the two eyes stare at you, but in fact, what’s really marvelous is where Canon seems to be going with their cameras. I bet you’re just as baffled as I am looking at Canon’s new RF5.2mm F2.8 L Dual Fisheye Lens. “A powerful 3D lens for an already powerful 2D camera.”
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